LINGUISTIC ANALYSIS OF THAI LAKORNS AND PAKISTANI DRAMAS: A COMPARATIVE ANALYSIS OF GENDER REPRESENTATION

Authors

  • Muntazar Mehdi NUML, Islamabad
  • Shawana Hassan NUML, Islamabad
  • Javeria Riaz NUML, Islamabad

Keywords:

Patriarchy, Woman objectification, Thai Lakrons, Sexual violence, Prostitution, Inequality, Assault, Mass media

Abstract

This paper examines the representation of females in Pakistani TV dramas and Thai lakron. In Thai lakrons, women are treated as an object of pleasure, whereas the situation in Pakistan is not that worse. Their media repeatedly portray women as an object rather than an individual according to Freidickson and Roberts' "Objectification theory"(1997). Their dramas objectify women based on their appearance and the sexual pleasure they can provide to the dominant people in a patriarchal society. To conduct this research, a qualitative approach is used to draw the comparison between the dramas of two countries that are; "Ghissi Pitti Mohabbat[1]" and "Prom Pisawat[2]".. The data was retrieved from the dramas in form of the discourses as uttered by the characters. This study is meant to add to the vast canvas and multifaceted area of research related to the fragility and under representation of women in media where rape, violence, abuse, and standards of beauty for female characters are romanticized.

 

[1] Khan, Faseeh Bari . “Ghisi Pitti Muhabbat Episode 1 | 6 August 2020 (English Subtitles) ARY Digital Drama.

[2] “Prom Pissawat Online” Dramacool, dramacool.hr/prom-pissawat-episode-1.html.

References

Abdullah, M., Mehdi, M., & Noor, A. (2020). REPRESENTATION OF GENDER IN PAKISTANI COMEDY DRAMAS. Grassroots (17260396), 54(2).

Ahmed, S., & Wahab, J. A. (2019). Paradox of women empowerment: The representations of women in television dramas in Pakistan. International Journal of Academic Research in Business and Social Sciences, 9(10), 1-21.

Ashfaq, A., & Shafiq, Z. (2018). Contested images of'perfect women'in Pakistani television dramas. Journal of the Research Society of Pakistan, 55(1).

Balraj, B. (2015). Understanding objectification theory. International Journal on Studies in English Language and Literature (IJSELL), 3(11), 70-74.

Engchuan, R. N. (2017). Gender roles and female sexuality in the Thai teen TV drama Hormones, The Series. Rian Thai: International Journal of Thai Studies, 10(2), 101-120.

Fatima, A. (2019). Representations of women’s role in Pakistan: A critical analysis through drama serials. Journal of International Women's Studies, 20(3), 3-16.

Fongkaew, K. (2015). The Contested Meanings of Female Sexualities through Alternative Interpretations of Thai Television Series among Young Female Audiences in Urban Chiang Mai, Thailand. PSAKU International Journal of Interdisciplinary Research (PSAKUIJIR) Vol, 4.

Hamilton, A. (1992). Family dramas: film and modernity in Thailand. Screen, 33(3), 259-273.

Ibrahim, K., Amin, S., & Rehman, H. (2019). Portrayal of Women as a Victim in Pakistani Private TV Channels: Perception of Women of Twin Cities of Pakistan. Journal of Peace Development & Communication, 3(2), 1-15.

Ingpimploy. “The Collateral Damage of Thai Media’s Gender Portrayal.” Lmuerasmus, 21 May 2018, lmuerasmus.wordpress.com/2018/05/21/the-collateral-damage-of-thai-mediasgender-portrayal/. Accessed 1 Apr. 2021.

Khan, Faseeh Bari . “Ghisi Pitti Muhabbat Episode 1 | 6 August 2020 (English Subtitles) ARY Digital Drama.” www.youtube.com, 2020, youtu.be/tMAcWm6nG08. Accessed 26 June 2023.

Khopolklang, Polnigongit, Chamnongsri, Neunghathai, Weerapon,Nisacholg,. Influence of the Thai Mass Media on Violence against Women: Synthesis of Research Studies. 2014. “Rape Culture: Sex as Entertainment in Thailand.” www.linkedin.com, www.linkedin.com/pulse/rape-culture-sex-entertainment-thailand-jasmine-chia/. Accessed 2 Apr. 2021.

Mehdi, M., Moen, U., & Abbasi, S. (2022). Abjection And Marginalization Of Females: A Critical Review Of Leila’s Character In Elif Shafak’s Novel 10 Minutes 38 Seconds In This Strange World. Pakistan Journal of Gender Studies, 22(1), 67–82.

Niaz, B. (2019). Portrayal of Women in Pakistani Drama, An analysis of selected dramas. Balochistan Review, 10(1), 328-338.

Shahzad, A. (2021). Poetics of Dystopian amidst Female Subjugation in Blue Ticket by Sophie Mackintosh. Journal of Research (Humanities), 57(2).

Signorielli, N. (1990). Children, television, and gender roles: Messages and impact. Journal of Adolescent Health Care, 11(1), 50-58.

Van Fleet, S. (2003). Everyday Dramas: Television Soap Operas in Thailand. Education about Asia, 8(1), 12-16. “Watch Prom Pissawat Episode 1 Online with English Sub.” Dramacool, dramacool.hr/prom-pissawat-episode-1.html. Accessed 26 June 2023.

Wilder “Introduction to Cracking India.” Web.cocc.edu, web.cocc.edu/cagatucci/classes/hum210/coursepack/crackingindia.htm#:~:text=Elsewhere%2C%20she%20continues%2C%20. Accessed 26 June 2023.

Published

03-01-2024

How to Cite

Mehdi, M., Hassan, S., & Riaz, J. (2024). LINGUISTIC ANALYSIS OF THAI LAKORNS AND PAKISTANI DRAMAS: A COMPARATIVE ANALYSIS OF GENDER REPRESENTATION. Balochistan Journal of Linguistics, 11. Retrieved from https://journals.luawms.edu.pk/bjl/article/view/70